2013

A Time to Love and a Time to Die (Douglas Sirk, 1958)
Nattvardsgästerna (Ingmar Bergman, 1963) *
Day of the Outlaw (André de Toth, 1959)
Angel Heart (Alan Parker, 1987) *
Before Midnight (Richard Linklater, 2013)

December

Under the Skin (Jonathan Glazer, 2013)
Wise Blood (Jhon Huston, 1979)
The Evil Dead (Sam Raimi, 1981)
Narrow Margin (Peter Hyams, 1990)
The Bling Ring (Sofia Coppola, 2013)
Blue Jasmine (Woody Allen, 2013)
Pulse (Kiyoshi Kurosawa, 2001)
Electric Dreams (Steve Barron, 1984) *
Pi (Darren Aronofsky, 1998)
Ikarie XB-1 (Jindrich Polak, 1963)
WarGames (John Badham, 1984) *
Gravity (Alfonso Cuarón, 2013) *
Les Yeux sans visage (Georges Franju, 1960)
eXistenZ (David Cronenberg, 1999)
Computer Chess (Andrew Bujalski, 2013)
Office Space (Mike Judge, 1999)
The Last House on the Left (Wes Craven, 1972)
The Omen (Richard Donner, 1976)
The Driver (Walter Hill, 1978)
Leviathan (Lucien Castaing-Taylor and Verena Paravel, 2012)
Dans la maison (François Ozon, 2012)

November

Nosferatu: Phantom der Nacht (Werner Herzog, 1979)
Southern Comfort (Walter Hill, 1981)
L’Inconnu du lac (Alain Guiraudie, 2013)
The Chase (Arthur D. Ripley, 1946)
Philomena (Stephen Frears, 2013)
Night Moves (Kelly Reichardt, 2013)
Vic + Flo ont vu un ours (Denis Côté, 2013)
Labor Day (Jason Reitman, 2013)
Norte, the End of History (Lav Diaz, 2013)
The Selfish Giant (Clio Barnard, 2013)
Inside Llewyn Davis (Joel and Ethan Coen, 2013)
Model Shop (Jacques Demy, 1969)
Gravity (Alfonso Cuarón, 2013)
Captain Phillips (Paul Greengrass, 2013)
Drinking Buddies (Joe Swanberg, 2013)
It Always Rains on Sunday (Robert Hamer, 1947)
Saturday Night Fever (John Badham, 1977) *
Return of the Secaucus Seven (John Sayles, 1979)
Nothing but a Man (Michael Roemer, 1964)

October

Lost in America (Albert Brooks, 1985) *
Modern Romance (Albert Brooks, 1981)
Forty Guns (Samuel Fuller, 1957)
The Place beyond the Pines (Derek Cianfrance, 2012)
Joy (Christine Molloy and Joe Lawlor, short, 2007)
Helen (Christine Molloy and Joe Lawlor, 2008)
All That Heaven Allows (Douglas Sirk, 1955) *
Halloween (John Carpenter, 1978) *
Hide Your Smiling Faces (Daniel Patrick Carbone, 2013)
Ida (Pawel Pawlikowski, 2013)
The Sixth Sense (M. Night Shyamalan, 1999) *
The Stranger (Orson Welles, 1946) *
Rushmore (Wes Anderson, 1998) *
Höstsonaten (Ingmar Bergman, 1978)
InRealLife (Beeban Kidron, 2013)
The Prowler (Joseph Losey, 1951)
Manhunter (Michael Mann, 1986)
For Those in Peril (Paul Wright, 2013)
Possession (Andrzej Zulawski, 1981)

September

Batman Begins (Christopher Nolan, 2005)
Les Amants (Louis Malle, 1958)
Mister John (Joe Lawlor & Christine Molloy, 2013)
The Thomas Crown Affair (John McTiernan, 1999) *
Classe tous risques (Claude Sautet, 1960)
Pickup on South Street (Samuel Fuller, 1953)
Topkapi (Jules Dassin, 1964)
House of Wax (André De Toth, 1953)
One of Our Dinosaurs Is Missing (Robert Stevenson, 1975) *
La Ville Louvre (Nicolas Philibert, 1990)
Le Pont du Nord (Jacques Rivette, 1981)
Days and Nights in the Forest (Satyajit Ray, 1970) *
The Music Room (Satyajit Ray, 1958)
The World of Apu (Satyajit Ray, 1959)
Monsoon (Apichatpong Weerasethakul, short, 2013)
The Haircut (Tamar Simon Hoffs, short, 1982)

August

Charulata (Satyajit Ray, 1964) *
Aparajito (Satyajit Ray, 1956) *
Museum Hours (Jem Cohen, 2012)
Mahanagar (Satyajit Ray, 1963)
L’Amour par terre (Jacques Rivette, 1984)
Fellini-Satyricon (Federico Fellini, 1969)
This Is Tomorrow (Paul Kelly, 2007)
What Have You Done Today Mervyn Day? (Paul Kelly, 2005)
Finisterre (Paul Kelly, 2005)
Howl’s Moving Castle (Hayao Miyazaki, 2004)
Emil und die Detektive [Emil and the Detectives] (Gerhard Lamprecht, 1931)
The Kings of Summer (Jordan Vogt-Roberts, 2013)
Mother Joan of the Angels (Jerzy Kawalerowicz, 1961)

July

Vredens Dag [Day of Wrath] (Carl Theodor Dreyer, 1943) *
Herz aus Glas [Heart of Glass] (Werner Herzog, 1976)
Cyrano De Bergerac (Jean-Paul Rappeneau, 1990) *
How Much Wood Would a Woodchuck Chuck… (Werner Herzog, 1976)
Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974) *
Chronique d’un été (Paris 1960) (Jean Rouch and Edgar Morin, 1961)
A Field in England (Ben Wheatley, 2013)
My Summer of Love (Pawel Pawlikowski, 2002) *
Rembrandt (Alexander Korda, 1936)
Land des Schweigens und der Dunkelheit [Land of Silence and Darkness] (Werner Herzog, 1971)
Punishment Park (Peter Watkins, 1971)
At the Height of Summer [À la verticale de l’été] (Tran Anh Hung, 2000)
Sommaren med Monika [Summer with Monika] (Ingmar Bergman, 1953)
My Father and the Man in Black (Jonathan Holiff, 2012)
Romancing the Stone (Robert Zemeckis, 1984) *
The King of Marvin Gardens (Bob Rafelson, 1972)
Tarzan and His Mate (Cedric Gibbons, 1934) [?]

June 

Tropical Malady (Apichatpong Weerasethakul, 2004) *
La Mort en ce jardin (Luis Buñuel, 1956) *
Taking Off (Milos Forman, 1971)
Byzantium (Neil Jordan, 2012)
Après mai (Olivier Assayas, 2012)
A.I. Artificial Intelligence (Steven Spielberg, 2001) *
Au revoir les enfants (Louis Malle, 1987) *
Fitzcarraldo (Werner Herzog, 1982)
Tabu (Miguel Gomes, 2012) *
Wild Combination: A Portrait of Arthur Russell (Matt Wolf, 2008)
The Great Gatsby (Baz Luhrmann, 2013)
Celia (Ann Turner, 1989)
Eternity and a Day (Theo Angelopoulos, 1998) *
Lucía y el sexo (Julio Medem, 2001) *
Cría cuervos (Carlos Saura, 1976)
The End of St. Petersburg [Konets Sankt-Petersburga] (Vsevolod Pudovkin, 1927)

May

Scarecrow (Jerry Schatzberg, 1973)
Stranger than Paradise (Jim Jarmusch, 1984) *
Repo Man (Alex Cox, 1984) *
Something Wild (Jonathan Demme, 1986)

The Sure Thing (Rob Reiner, 1985)
Thunderbolt and Lightfoot (Michael Cimino, 1974)
Teorema (Pier Paolo Pasolini, 1968)
Empire of the Sun (Steven Spielberg, 1987) *
Rescue Dawn (Werner Herzog, 2006)
The Look of Love (Michael Winterbottom, 2013)
Childbirth as an Athletic Feat (Kinocrat medical film unit, short, 1939)
Me and Me Dad (Katrine Boorman, 2012)
Captured (John Krish, 1959)
Greenberg (Noah Baumbach, 2010) *
Renoir (Gilles Bourdos, 2012)
Spring Breakers (Harmony Korine, 2013)
Serpico (Sidney Lumet, 1973)

April

Twentynine Palms (Bruno Dumont, 2003)
Dead Man Down (Niels Arden Oplev, 2013)
Zardoz (John Boorman, 1974)
Deliverance (John Boorman, 1972)
The Emerald Forest (John Boorman, 1985)
Hope and Glory (John Boorman, 1987)
The Tiger’s Tail (John Boorman, 2006)
Jeux interdits (René Clement, 1952)
L’Intrus (Claire Denis, 2004)
Irma Vep (Olivier Assayas, 1996)
That Night’s Wife (Yasujiro Ozu, 1930)
Dishonored (Josef von Sternberg, 1931)
Shell (Scott Graham, 2012)
Promised Land (Gus van Sant, 2012)
Hana-bi (Takeshi Kitano, 1997)
Pierrot le fou (Jean-Luc Godard, 1965) *
Morocco (Josef von Sternberg, 1930) *
Welcome to the Punch (Eran Creevy, 2013)

March

The Devil Is a Woman (Josef von Sternberg, 1935)
Jeanne Dielman  23, quai du commerce 1080 Bruxelles (Chantal Anne Akerman, 1975)
Touch of Evil [restored version] (Orson Welles, 1958) *
Les Trois Couronnes du matelot (Raoul Ruiz, 1983)
Journal d’un curé de campagne (Robert Bresson, 1951) *
Le Diable probablement (Robert Bresson, 1977) *
An American Werewolf in London (John Landis, 1981)
The Spirit of ’45 (Ken Loach, 2013)
La Sirène du Mississipi (François Truffaut, 1969)
Une femme mariée  Fragments d’un film tourné en 1964 en noir et blanc (Jean-Luc Godard, 1964) *
Les Dames du Bois de Boulogne (Robert Bresson, 1945) *
Eloge de l’amour (Jean-Luc Godard, 2001)
Chameleon Street (Wendell B. Harris Jr, 1989)
Masculin féminin  15 faits précis (Jean-Luc Godard, 1966) *
Gimme the Loot (Adam Leon, 2012)
Que la bête meure (Claude Chabrol, 1969)
Conte d’été (Eric Rohmer, 1996)
Merci pour le chocolat (Claude Chabrol, 2000)
L’Anglaise et le Duc (Eric Rohmer, 2001)
Les Misérables (Tom Hooper, 2012)
La Femme infidèle (Claude Chabrol, 1969)

February

Va savoir (Jacques Rivette, 2001)
The Tenant (Roman Polanski, 1976)
Quelques remarques sur la réalisation et la production du film Sauve qui peut (la vie) (Jean-Luc Godard, short, 1979)
Lincoln (Steven Spielberg, 2012)
La Collectionneuse (Eric Rohmer, 1967) *
Sauve qui peut (la vie) (Jean-Luc Godard, 1980)
Les Rendez-vous de Paris (Eric Rohmer, 1995)
A nos amours (Maurice Pialat, 1983) *
Le Temps retrouvé (Raúl Ruiz, 1999) *
Swingers (Doug Liman, 1996) *
Wild at Heart (David Lynch, 1990)
Punch-Drunk Love (Paul Thomas Anderson, 2002) *
Holiday (George Cukor, 1938)
Life Just Is (Alex Barrett, 2012) *
Broken (Rufus Norris, 2012)
Blue Velvet (David Lynch, 1986) *
Your Sister’s Sister (Lynn Shelton, 2011)
Birth (Jonathan Glazer, 2004)
The Woman in the Fifth (Pawel Pawlikowski, 2012)

January

* Indicates prior viewing

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