2011

Brick Lane (Sarah Gavron, 2007)
Män som hatar kvinnor [The Girl with the Dragon Tattoo] (Niels Arden Oplev, 2009)
The King’s Speech
(Tom Hooper, 2011) *
Another Woman (Woody Allen, 1988) *
Rare Exports: A Christmas Tale
(Jalmari Helander, 2010)
Nader and Simin, a Separation [Jodaeiye Nader az Simin] 
(Asghar Farhadi, 2011)
I Love You Phillip Morris
(Glenn Ficarra & John Requa, 2009)
Tinker Tailor Soldier Spy (Tomas Alfredson, 2011)
La Cérémonie (Claude Chabrol, 1995)
Martha Marcy May Marlene (Sean Durkin, 2011)
Metropolitan (Whit Stillman, 1990)
A nos amours (Maurice Pialat, 1983)
Poetry [Shi] (Lee Chang-dong, 2010)
Patience (After Sebald) (Grant Gee, 2011)
Margaret (Kenneth Lonergan, 2011)
How I Ended This Summer [Kak ya provyol etim letom]
(Andrei Popogrebsky, 2010)
Conte d’automne [An Autumn Tale] (Eric Rohmer, 1998)
Loulou (Maurice Pialat, 1980)
The Kids Are All Right (Lisa Chodolenko, 2010)

December

Good Morning [Ohayo]
(Yasujiro Ozu, 1959)
Un homme qui crie [A Screaming Man]
(Mahamet-Salah Haroun, 2010)
Paris, Texas (Wim Wenders, 1984) *
48 Hrs. (Walter Hill, 1982)
Obsession (Brian De Palma, 1976)
The Tree of Life (Terrence Malick, 2011) *
Deep End (Jerzy Skolimowski, 1970) *
Brothers and Sisters of the Toda Family [Todake no Kyodai] (Yasujiro Ozu, 1941)
In the Fields of Dreams [Unelma karjamajalla]
(Teuvo Tulio, 1940)
Tomboy (Céline Sciamma, 2011)
The Panic in Needle Park (Jerry Schatzberg, 1971)
Steamboat Bill, Jr.
(Chas F. Reisner, 1928)
The Gold Rush (Charles Chaplin, 1925) *
Don’t Torture a Duckling [Non si sevizia un paperino] (Lucio Fulci, 1972)
Midnight in Paris (Woody Allen, 2011)
Haywire (Steven Soderbergh, 2011)
The Iron Horse
(John Ford, 1924) *
Essential Killing (Jerzy Skolimowski, 2010)
The Ballad of Narayama [Narayama bushiko] (Shohei Imamura, 1983)
Red Psalm [Még kér a nép] (Miklós Jancsó, 1972)
Dark of the Sun (Jack Cardiff, 1968)
Le Grand Jeu
(Jacques Feyder, 1934)
The Immigrant (Charlie Chaplin, short, 1917)
Monkey Business (Norman McLeod, 1931) *?
The Big Easy (Jim McBride, 1986)
The Fog (John Carpenter, 1980)
The Professionals
(Richard Brooks, 1966)

November

Twilight (Catherine Hardwicke, 2008)
Bedlam
(Mark Robson, 1946)
Lucky Star
(Frank Borzage, 1929)
Isle of the Dead
(Mark Robson, 1945) *
Passe ton bac d’abord
(Maurice Pialat, 1978)
Sayat Nova [The Colour of Pomegranates]
(Sergei Parajanov, 1968)
Man on a Ledge
(Asger Leth, 2011)
Faust (Aleksandr Sokurov, 2011)
Damsels in Distress
(Whit Stillman, 2011)
Faust. Eine deutsche Volkssage (F.W. Murnau, 1926)
A Dangerous Method (David Cronenberg, 2011)
Paranoid Park (Gus van Sant, 2007)
The Artist (Michel Hazanavicius, 2011)
Le Gamin au vélo [The Kid with a Bike] (Jean-Pierre & Luc Dardenne, 2011)
L’Hiver dernier [Last Winter] (John Shank, 2011)
Hors Satan (Bruno Dumont, 2011)
The First=Born (Miles Manders, 1929)
The Descendants (Alexander Payne, 2011)
The Ides of March (George Clooney, 2011)
Terri (Azazel Jacobs, 2011)
Dirty Harry (Don Siegel, 1971)
Elena (Andrei Zyvagintsev, 2011)
Las acacias (Pablo Giorgelli, 2011)
Carnage (Roman Polanski, 2011)
Once upon a Time in Anatolia [Bir Zamanlar Anadolu’da] (Nuri Bilge Ceylan, 2011)
We Need to Talk about Kevin (Lynn Ramsey, 2011)
A Single Man (Tom Ford, 2009)
Without (Mark Jackson, 2011)
Shame
(Steve McQueen, 2011)
A Walk with Love and Death
(John Huston, 1969)
La Folie Almayer [Almayer’s Folly]
(Chantal Ackerman, 2011)
Bullitt
(Peter Yates, 1968)
Miss Bala (Gerardo Naranjo, 2011)
Pontypool
(Bruce MacDonald, 2009)
Yi Yi [A One and a Two…] (Edward Yang, 2000)
A Brighter Summer Day (Edward Yang, 1991)
Buta to gunkan [Pigs and Battleships] (Shohei Imamura, 1961)

October

Kaze no naka no mendori [A Hen in the Wind] (Yasujiro Ozu, 1948)
This Must Be the Place 
(Paolo Sorrentino, 2011)
Samma no aji [An Autumn Afternoon]
(Yasujiro Ozu, 1962) *
Gainsbourg: Vie héroique
(Joann Sfar, 2010)
Qing Mei Zhu Ma [Taipei Story] (Edward Yang, 1985)
Ukigomo [Floating Clouds] (Mikio Naruse, 1955)
The River
(Frank Borzage, 1929)
Equinox Flower [Higanbana]
(Yasujiro Ozu, 1958)
Los abrazos rotos [Broken Embraces]
(Pedro Almodóvar, 2009)
Der Himmel über Berlin [Wings of Desire]
(Wim Wenders, 1987)
Eastern Promises
(David Cronenberg, 2007)
Sous le sable
(François Ozon, 2000)
Schloss Vogeloed: Die Enthüllung eines Geheimnisses 
(F.W. Murnau, 1921)
Do the Right Thing
(Spike Lee, 1989)
Winter’s Bone
(Debra Grabnik, 2010)
Mildred Pierce
(Michael Curtiz, 1945) *
Blue Valentine
(Derek Cianfrance, 2011)

September

Weekend (Andrew Haigh, 2011)
La signora senza camelie
(Michelangelo Antonioni, 1953)
Le Genou de Claire
(Éric Rohmer, 1970)
American Graffiti
(George Lucas, 1973) *
Submarine
(Richard Ayoade, 2010)
Vampyr
(Carl Th. Dreyer, 1932)
The Dark Eyes of London
(Walter Summers, 1939)
Broken Blossoms or The Yellow Man and the Girl
(D.W. Griffith, 1919)
Le Rayon vert
(Éric Rohmer, 1986) *
[Safe]
(Todd Haynes, 1995)
Murder by Contract
(Irving Lerner, 1958)
L’Ami de mon amie
(Éric Rohmer, 1987)
Les Nuits de la pleine lune
(Éric Rohmer, 1984)
Le Beau Mariage
(Éric Rohmer, 1982)
Stealing Beauty
(Bernardo Bertolucci, 1995)
Le Doulos
(Jean-Pierre Melville, 1962)

August

La Femme de l’aviateur (Eric Rohmer, 1981)
Mélo
(Alain Resnais, 1986)
Magnolia (Paul Thomas Anderson, 1999) *
Das Testament des Dr. Mabuse
(Fritz Lang, 1933) *
Dr. Mabuse, der Spieler. 2. Inferno: Ein Spiel um Menschen unserer Zeit
(Fritz Lang, 1922)
Pauline à la plage
(Eric Rohmer, 1983)
Dr. Mabuse, der Spieler.  1. Der grosse Spieler. Ein Bild der Zeit
(Fritz Lang, 1922)
In the Loop
(Armando Ianucci, 2009)
Toute la mémoire du monde
(Alain Resnais, short, 1956) *
Singularidades de uma rapariga loura [Eccentricities of a Blonde Haired Girl]
(Manoel de Oliveira, 2009)
Cape Fear
(J. Lee Thompson, 1962)
Capitalism: A Love Story
(Michael Moore, 2009)
Céline et Julie vont en bateau
(Jacques Rivette, 1974) *
Cry of the City
(Robert Siodmak, 1948)
Uncle Boonmee Who Can Recall His Past Lives
(Apichatpong Weerasethakul, 2010) *
Late Autumn [Akibiyori]
(Yasujiro Ozu, 1960)
Coeur fidèle
(Jean Epstein, 1923)
Spione
(Fritz Lang, 1928)
Je t’aime je t’aime 
(Alain Resnais, 1968)
Providence
(Alain Resnais, 1977) *
The Art of Letting Go
(Gavin Wiesen, 2011)
Cutter and Bone
(Ivan Passer, 1981)
The Party’s Over
(Guy Hamilton, 1963)
Histoires extraordinaires
(Roger Vadim, Louis Malle & Federico Fellini, 1968)
Starman
(John Carpenter, 1984) *
Tron
(Steven Lisberger, 1982)

July

Blade Runner [The Final Cut] (Ridley Scott, 1982)
A Letter to Uncle Boonmee
(Apichatpong Weerasethakul, short, 2009)
The Only Son [Hitori Musuko]
(Yasujiro Ozu, 1936)
Melancholia (Lars von Trier, 2011)
The Thin Red Line (Terrence Malick, 1998)
Boudu sauvé des eaux [Boudu Saved from Drowning] (Jean Renoir, 1932) *
The Kid
(Charlie Chaplin, 1921)
Le amiche
(Michelangelo Antonioni, 1955)
The Tree of Life (Terrence Malick, 2011)
Powder (Mark Elliot, 2011)
Pom Wonderful Presents The Greatest Movie Ever Sold (Morgan Spurlock, 2011)
The Getaway
(Sam Peckinpah, 1972)
The General
(Buster Keaton & Clyde Bruckman, 1926) *
La strada
(Federico Fellini, 1954) *
Mirror
(Andrei Tarkovsky, 1974) *
Rashomon
(Akira Kurosawa, 1951) *
El verdugo [The Executioner]
(Luis García Berlanga, 1963)
Fat City
(John Huston, 1972)

June

The Godfather Part II (Francis Ford Coppola, 1974) *
Sansho Dayu
(Kenji Mizoguchi, 1954) *
Amarcord
(Federico Fellini, 1974) *
The Man Who Shot Liberty Valance
(John Ford, 1962) *
Smultronstället [Wild Strawberries]
(Ingmar Bergman, 1957) *
L’Atalante (Jean Vigo, 1934) *
Intolerance (D.W. Griffith, 1916)
Ran (Akira Kurosawa, 1985) *
Deep End
(Jerzy Skolimowski, 1970)
2 ou 3 choses que je sais d’elle [2 or 3 Things I Know about Her]
(Jean-Luc Godard, 1967)
A religiosa portuguesa [The Portuguese Nun]
(Eugène Green, 2009)
City Lights
(Charles Chaplin, 1931) *
Touch of Evil (Orson Welles, 1958) *
Upside Down  The Creation Records Story (Danny O’Connor, 2010)
Im Schatten [In the Shadows] (Thomas Arslan, 2010)
Der letzte Mann [The Last Laugh] (F.W. Murnau, 1924)
F for Fake
(Orson Welles, 1974) *
Inception
(Christopher Nolan, 2010)
Modern Times
(Charlie Chaplin, 1936) *
The Magdalene Sisters
(Peter Mullan, 2002)

May

Strategia del ragno [The Spider’s Strategem] (Bernardo Bertolucci, 1970) *
The Last Picture Show
(Peter Bogdanovich, 1971) *
Pierrot le fou
(Jean-Luc Godard, 1965) *
French Cancan
(Jean Renoir, 1955) *
Tamara Drewe
(Stephen Frears, 2010)
Il y a longtemps que je t’aime [I’ve Loved You So Long]
(Philippe Claudel, 2008)
Ugetsu Monogatari
(Kenji Mizoguchi, 1953) *
The Bad Lieutenant  Port of Call: New Orleans
(Werner Herzog, 2009)
The Godfather
(Francis Ford Coppola, 1972) *

April

Win Win (Tom McCarthy, 2011)
The Servant
(Joseph Losey, 1963) *
Poltergeist
(Tobe Hooper, 1982)
Paranoiac
(Freddie Francis, 1963)
The Draughtsman’s Contract
(Peter Greenaway, 1982) *
British Sounds
(Jean-Luc Godard and Jean-Henri Roger, 1970)
Hors la loi
[Outside the Law] (Rachid Bouchareb, 2010)
Eaux d’artifice
(Kenneth Anger, short, 1953)
Caché
[Hidden] (Michael Haneke, 2004) *
Paris Is Burning
(Jennie Livingston, 1990)
Adventureland (Greg Mottola, 2008)
Rabbit’s Moon (Kenneth Anger, short, 1971 version)
Puce Moment (Kenneth Anger, short, 1949)
Suspiria (Dario Argento, 1977)
Close Encounters of the Third Kind [Theatrical Version] (Steven Spielberg, 1977)
White Material (Claire Denis, 2009)
The Hurt Locker (Kathryn Bigelow, 2008)
Les Vacances de Monsieur Hulot (Jacques Tati, 1951) *
Fireworks (Kenneth Anger, short, 1947)
Pandora and the Flying Dutchman (Albert Lewin, 1950) *
Tomorrow When the War Began
(Stuart Beattie, 2011)
Cronaca di un amore [Chronicle of a Love] (Michelangelo Antonioni, 1950)
La coda (Gianluigi Toccafondo, short, 1992)
The Killer inside Me (Michael Winterbottom, 2010)
Stella Dallas (King Vidor, 1937)
La Nuit américaine [Day for Night] (François Truffaut, 1973)
Psycho (Alfred Hitchcock, 1960) *
Pina
(Wim Wenders, 2011)

March

Man’s Favorite Sport? (Howard Hawks, 1964)
The New World
(Terrence Malick, 2005) *
Baraka
(Ron Fricke, 1992)
The Burmese Harp [Biruma no tategoto]
(Kon Ichikawa, 1955)
Deux Anglaises et le Continent (François Truffaut, 1971)
L’eclisse
(Michelangelo Antonioni, 1962) *
My Way Home
(Bill Douglas, 1978)
My Ain Folk
(Bill Douglas, 1973)
A Clockwork Orange
(Stanley Kubrick, 1971) *
Un poison violent
[Love like Poison] (Katell Quillévéré, 2010)
Kill Bill Vol. 1
(Quentin Tarantino, 2003)
Wo die grünen Ameisen träumen [Where the Green Ants Dreams]
(Werner Herzog, 1984)
My Childhood (Bill Douglas, 1972)
Will Success Spoil Rock Hunter?
(Frank Tashlin, 1957)
Toni
(Jean Renoir, 1934) *
The Scapegoat
(Robert Hamer, 1958)
La Gueule ouverte [The Mouth Agape]
(Maurice Pialat, 1974)
Janine
(Maurice Pialat, short, 1962)
Yokihi [Imperial Concubine Yang]
(Kenji Mizoguchi, 1955)
House [Hausu]
(Nobuhiko Obayashi, 1977)
Playtime (Jacques Tati, 1967) *
We Are the Lambeth Boys
(Karel Reisz, short, 1958)
Saturday Night and Sunday Morning
(Karel Reisz, 1960) *
Monkey Business
(Howard Hawks, 1952) *
The Edge of the World
(Michael Powell, 1937)
Peeping Tom
(Michael Powell, 1960) *
Archipelago
(Joanna Hogg, 2010)
Gran Torino
(Clint Eastwood, 2008)
I Was a Male War Bride
(Howard Hawks, 1949) *
Il gattopardo [The Leopard]
(Luchino Visconti, 1963) *
WALL-E
(Andrew Stanton, 2008)
Nous ne vieillirons pas ensemble
(Maurice Pialat, 1972)
La Camargue (Maurice Pialat, short, 1966)
Red River
(Howard Hawks, 1947) *
To Have and Have Not
(Howard Hawks, 1944) *
Copie conforme [Certified Copy] (Abbas Kiarostami, 2009)

February

Être et avoir (Nicolas Philibert, 2002)
Collateral
(Michael Mann, 2004)
Vengeance Is Mine [Fukushū suru wa ware ni ari]
(Shohei Imamura, 1979)
Ball of Fire (Howard Hawks, 1941) *
L’Amour existe
(Maurice Pialat, short, 1960)
L’Enfance-nue
(Maurice Pialat, 1968)
His Girl Friday (Howard Hawks, 1939) *
His & Hers
(Ken Wardrop, 2009)
Cave of Forgotten Dreams
(Werner Herzog, 2010)
Risky Business
(Paul Brickman, 1983)
Elephant
(Gus Van Sant, 2003)
Lourdes
(Jessica Hausner, 2009)
The King’s Speech
(Tom Hooper, 2010)
The Social Network
(David Fincher, 2010)
Ceiling Zero
(Howard Hawks, 1936)
Miami Vice
(Michael Mann, 2006) *
The Road to Glory
(Howard Hawks, 1936)
La Double Vie de Véronique (Krzysztof Kieslowski, 1991)
The Treasure of the Sierra Madre (John Huston, 1947) *
The World [
Shijie] (Jia Zhangke, 2004) *
Le Samouraï
(Jean-Pierre Melville, 1967) *
Gerry (Gus Van Sant, 2001)
Onibaba (Kaneto Shindo, 1964)
Twentieth Century (Howard Hawks, 1934)
Client-9  The Rise and Fall of Eliot Spitzer (Alex Gibney, 2010)
La signora di tutti (Max Ophuls, 1934)
The Mechanic (Simon West, 2011)
Picnic at Hanging Rock (Peter Weir, 1975)
Viva Villa! (d. Jack Conway [and Howard Hawks], 1934)
Early Summer [Bakushu] (Yasujiro Ozu, 1951)
Grizzly Man (Werner Herzog, 2005)
Tiger Shark (Howard Hawks, 1932)
Late Spring [Banshun] (Yasujiro Ozu, 1949) *
Viskningar och Rop [Cries and Whispers] (Ingmar Bergman, 1972) *
City Girl (F.W. Murnau, 1930) *
Plastic Bag (Ramin Bahrani, short, 2010)
The Crowd Roars (Howard Hawks, 1932)
Sunrise  A Song of Two Humans (F.W. Murnau, 1927) *
Miss Pettigrew Lives for a Day (Bharat Nalluri, 2008)
An Education (Lone Scherfig, 2009)
Mulholland Dr. (David Lynch, 2001) *
Nowhere Boy
(Sam Taylor Wood, 2009)

January

* Indicates prior viewing

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